Biography

Gandy Brodie (May 20, 1924 - October 22, 1975) was an American painter working primarily in New York City and Townshend, Vermont during the middle part of the 20th century.[1] He had ties to Abstract Expressionism through artists such as Willem de Kooning and his style, though singular, was considered second-generation Abstract Expressionism.[2] His paintings were influenced by the works of artists such as Camille Corot, Paul Cezanne, Vincent van Gogh, Piet Mondrian, Chaim Soutine, Georges Rouault, Pablo Picasso, and Paul Klee.

Gabriel Solomon Brodie was born May 20, 1924 in Brooklyn, New York to a family of Romanian Jewish produce vendors.[3] Brodie lived and worked in and around New York City throughout his life, while also spending extensive time in Florence, Italy, Provincetown, Massachusetts, and West Townshend, Vermont.[4] He and his wife, Jocelyn Brodie,[5] are remembered for their establishment of The Gandy Brodie School of Art in Newfane, Vermont.

Brodie started out as a self-taught painter, arriving at painting only after studying dance with Martha Graham and delving into the world of jazz and bebop. Once he discovered painting, he dedicated himself to learning from fellow artists and from works he could access in the museums of New York. After a time, he studied with Hans Hofmann and with the art historian, Meyer Schapiro, who praised Brodie as “one of the best painters of his generation.”

He was the winner of many awards, including a Guggenheim Fellowship,[6] a National Council for The Arts Award, a Longview Foundation Purchase Grant, an Ingram Merrill Foundation Award, a Mark Twain Art award, and numerous residencies at colleges and universities nationwide. In addition, Brodie taught at Carnegie-Mellon University, The University of Pennsylvania and Elmira College, in Elmira New York, where he was a Fine Arts Instructor at the time of his death.

Brodie’s work is characterized by dense layers of paint, or drawn marks, culminating in an abstract, yet vivid encapsulation of everyday objects such as a flower in a can, a tree in the park, a sea gull over the ocean, or a tenement in New York. He was known for painting and drawing certain subjects repeatedly throughout his relatively short career. The subjects are often, at first glance, indiscernible from thick paint or charcoal marks; however, his reoccurring motifs become more recognizable once viewed in relation to his other works.

Brodie died on October 22, 1975 at the age of 51.[3] A memorial for Brodie was held at The New School for Social Research, in New York City. Among the speakers were Meyer Shapiro and Elaine de Kooning. After his death, exhibitions of Brodie's art continued to be shown at the Sidney Janis, Knoedler, Edward Thorpe, and Salander—O'Rielly galleries. Brodie's work is currently represented by Steven Harvey, NYC. Brodie’s paintings and drawings can be found in Museum collections including the Hirshhorn Museum and Sculpture Garden, the Metropolitan Museum of Art, the Neuberger Museum of Art, and The Phillips Collection.

One-Person Exhibitions

• 1951—Kootz Gallery, New York City

• 1954—Urban Gallery, New York City

• 1955—Durlacher Brothers, New York City

• 1957—Durlacher Brothers, New York City

• 1959—Durlacher Brothers, New York City

• 1961—Durlacher Brothers, New York City

• 1963—Durlacher Brothers, New York City

• 1964—Saidenberg Gallery, New York City

• 1965—Obelisk Gallery, Boston, MA

• 1967—Richard Gray Gallery, Chicago, IL

• 1967—Zabriskie Gallery, New York City

• 1970—Krasner Gallery, New York City

• 1971—All Souls Church, Brattleboro, VT

• 1972—Williams College Museum of Art, Williamstown, MA

Posthumous One-Person Exhibitions

• 1980—M. Knoedler & Co., New York City

• 1983—Sidney Janis Gallery, New York City

• 1985—Edward Thorp Gallery, New York City

• 1991—Edward Thorp Gallery, New York City

• 2000—Salander-O’Reilly Galleries, New York City

• 2008—Gallery of the College of Staten Island

• 2012—steven harvey fine art projects, “Ten Tenements,” New York City

• 2014—“City, Country, City: Paintings by Gandy Brodie,” The Painting Center, New York City

Selected Group Exhibitions

• 1975-77—National Air and Space Museum, Smithsonian Institution, Washington, DC, “The Astronaut”

• 1976—Metropolitan Museum of Art, New York City, “Homage to Ryder”

• 1977—Joslyn Art Museum, Omaha, NE, “The Chosen Object: European and American Still Life,” “Thomas Mann Gladiola”

• 1978—Everson Museum of Art, Syracuse, NY, “Provincetown Painters: 1890-1970s,” “Seascape”

• 1980—The Chrysler Museum, Norfolk, VA, “American Figure Painting: 1950-1980,” “Young Musicians”

• 1984—The Institute for Art and Urban Resources, P.S. 1, Long Island City, NY, “Underknown: Twelve Artists Re-Seen in 1984,” curated by Henry Geldzahler [catalog essay here]

• 2006—Cheim & Read, New York City, “The New Landscape / The New Still Life: Soutine and Modern Art”

• 2007—Lori Bookstein Fine Art, “Anniversary: Ten Years of Gallery Art and Artists,” New York City

• 2011—SHFAP and Martha Henry, “Pairings: Gandy Brodie / Bob Thompson: The Ecstasy of Influence, an exhibition about the painterly relationship of Gandy Brodie and Bob Thompson in the late 1950s”

• Kathleen Cullen Fine Art and Elizabeth Ivers Gallery, “Two Colors,” curated by Clay Hapaz

• 2013—steven harvey fine art projects, “Summer Session,” New York City

Public Collections

• Addison Gallery of American Art, Andover, MA

• The Baltimore Museum of Art, Baltimore, MD

• Chrysler Museum, Provincetown, MA

• Chrysler Museum at Norfolk, VA

• Colby-Sawyer College, New London, NH

• Everson Museum of Art of Syracuse and Onondaga County, Syracuse, NY

• Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC

• The Jewish Museum, NY

• Herbert F. Johnson Museum of Art, Ithaca, NY

• Massachusetts Institute of Technology, Cambridge, MA

• The Metropolitan Museum of Art, NY

• The Mint Museum of Art, Charlotte, NC

• The Museum of Modern Art, New York City

• Neuberger Museum, Purchase, NY

• The Phillips Collection, Washington, DC

• Sarah Lawrence College, Bronxville, NY

• Whitney Museum of American Art, New York City

• Williams College Museum of Art, Williamstown, MA

• West Virginia Museum of Art, Charleston, WV, “Sidewalk Tenderness” (Gift of Mrs. John D. Rockefeller, III)

• National Museum of American Art, Smithsonian Institution, Washington, DC (The Martha Jackson Collection)

• Yale University Art Gallery, New Haven, CT, “Yellow Gladiola in Rusted Can” (Gift of George Dix)

• Minnesota Museum of American Art, St. Paul, MN

• Provincetown Art Association, Provincetown, MA (Gift of Nathan Halper)